Rabbit Hole Sessions with Abe Ovadia

EPISODE 83 - Clifton Anderson

Clifton Anderson is considered one of the leading trombonists and composers performing in Jazz today. He is not only noted for his rich personal sound on the horn but for his abilities as a melodic composer and musical interpreter.Clifton was born in Harlem, New York City into a musical family and from an early age showed an affinity for music. When he turned seven years old he received his first trombone from his uncle, Jazz Legend Sonny Rollins. Clifton attended the prestigious Fiorello LaGuardia High School of Music and Art and is a graduate of The Manhattan School Of Music. During his college years Clifton played in bands led by Frank Foster, Carlos Garnett and Reggie Workman. He was one of the original members of Slide Hampton’s revered trombone ensemble “The World of Trombones”and quickly established himself as one of the young in demand trombonists on the New York City music scene.Clifton’s extensive musical career has created the foundation to inform him as a gifted bandleader. His performances embody the fertile and varied history of musical experiences he’s been a part of, working with a who’s who of music and entertainment giants including; Sonny Rollins, McCoy Tyner, Dizzy Gillespie, Lester Bowie, Dee Dee Bridgewater and Barry Harris to Stevie Wonder, Keith Richards, Paul Simon, Wallace Roney, The Mighty Sparrow, Geri Allen, T.S. Monk and Terumasa Hino among others. His identifiable sound and memorable compositions have drawn a consistently expanding audience to his recordings and performances.
 

EPISODE 82 - Peter Brainin

A native of the Bronx, saxophonist, flutist, drummer, and composer Peter Brainin is a Grammy and Latin Grammy winning artist (he is also featured on 7 other Grammy nominated recordings) who has performed at major concert venues and jazz festivals all over Europe, Russia, Japan, India, North, South and Central America and the Caribbean. Some of the the bands and artists he has toured with internationally include pianist Hilton Ruiz (1989-99), Chico O’farrill Afro Cuban Jazz Orchestra (with whom he recorded 2 Grammy nominated albums, the Latin Grammy winning “Final Night at Birdland” and appeared in the films “Calle 54” and “Thomas Crown Affair”), Mongo Santamaria, Valery Ponomorev, Willie Colon and Legal Alien (1992-2002), Bebo Valdez, Matt “Guitar” Murphy, Samuel Torres, Mambo Legends Orchestra, John DiMartino & Quartet of the Americas, Arturo Ofarrill & the Afro Latin Jazz Orchestra (with whom he is featured on the Grammy winning CD’s “Cuba: The Conversation Continues” and “Offense of the Drum”) and with his own quartet. Other artists he has performed and/or recorded with include Randy Weston, Benny Golson, Wynton Marsalis, Jeff Watts, Ray Barretto, Jerry Gonzalez, Harold Mabern, Paquito D’Rivera, Jaco Pastorious, Lionel Loueke, Joey Calderazzo, Ruben Blades, Eddie Henderson and Eddie Palmieri. He was twice awarded the BRIO Award (Bronx Recognizes Its Own) for music composition. Some of his compositions and arrangements can be heard on his original CD recordings with co-leader, drummer Steve Johns and with the quartet Native Soul.
 
As an educator, Peter has led ensembles at New York University, New England Conservatory, the New School, and has done residencies performing, teaching privately and giving master classes in Jazz and Afro-Cuban Jazz at University of California at Long Beach and University of Maine in Orono. Peter has also worked extensively for Jazz at Lincoln Center’s Jazz in the Schools Program as a clinician with Arturo O’Farrill in schools in all 5 boroughs of New York City as well as residencies with Mr. O’Farrill for Jazz at Lincoln Center at high schools and universities in California, New Hampshire and Pennsylvania.
 

EPISODE 81 - Steve Picataggio

Steve Picataggio is a professional drummer and educator in New York City from Coral Springs, Florida. From the age of ten, Steve immersed himself in classical percussion, marching drumlines, pit orchestras and big band jazz ensembles. 
He then made the commitment to study with world-renown jazz drummer Danny Gottlieb at the University of North Florida. There he had the opportunity to learn the extensive hand techniques originated by Joe Morello. He focused on the history of jazz drummers, most notably Mel Lewis and his influence on big band drumming. As well as the drummers of Count Basie and gravitated towards small group drummers such as Shelly Manne, Philly Joe Jones, Jimmy Cobb, Ben Riley and Ed Thigpen. 
During his time in Jacksonville, Steve met Ulysses Owens Jr. a native Floridian and NYC based jazz drummer. For five years Owens mentored Steve on drums and the music industry. Under Ulysses’ guidance, Steve expanded his musical knowledge and mindset and was given the tools required to be a successful musician in New York.
This mentorship jump started Steve’s journey to New York City in 2011, where he studied with Billy Drummond at New York University Steinhardt School of Music while pursuing his Master’s Degree in Jazz Performance. 
After graduating from NYU in 2013, Steve Picataggio began a professional career as a bandleader and sideman. He has performed at The Blue Note Jazz Club, Birdland, The Kitano, The Bar Next Door and Feinstein’s 54 Below. 
His debut record Two Feet on the Ground features original compositions and arrangements and is available on iTunes and CD Baby. 
He performs regularly in New York with jazz and Broadway singers, straight ahead jazz small groups, big bands, cabaret, and musical theatre shows. Steve has also toured the US performing with the jazz group The Hot Sardines.
In 2018, Steve began playing drums for Suzi Shelton, an award winning children’s music singer/songwriter. Performances include Outreach morning concerts for the Brooklyn Public Schools, Fort Greene Music Festival, Madison Square Park Summer Festival, Brookfield Place and The Levitt Pavilion in Westport, Connecticut. He also played in Suzi’s band for a performance and interview on Kids Place Live at the Sirius XM Radio Studios in Washington, DC. 
Steve has been the drummer for Broadway’s Lesli Margherita since 2013 and appears on her record Rule Your Kingdom: Live at 54 Below (Broadway Records), All Hail The Queen (Feinstein’s 54 Below) and Broad (Birdland Jazz Club).  He also plays drums for Wicked Divas, a cabaret show featuring current and former actors from Wicked.
He has played the Off-Broadway shows Under The Bodhi Tree (Royal Family Theater) and About Love (Sheen Center). Currently, Steve is the drummer with Four Phantoms in Concert. A touring performance featuring former actors from the Broadway production.
 

EPISODE 80 - Itay Morchi

Originally from Israel, Itay started playing the drums at the age of six Itay and was honored to study under the direction of the the finest musician and teachers in Israel.
 
Since November 2016 Itay has been the working drummer in piano legend's Johnny O'neal trio. Since then, he performed with him in prestigious venues and festivals around the world, to name a few: Detroit Jazz Festival, Nice Jazz Festival, Red Sea Jazz Festival, Rostov International Jazz festival, Blue Note Milano, Dizzy's Club Coca Cola, ESSE Jazz Club moscow, as well as weekly residencies in NYC own Smalls Jazz club, Mezzrow Jazz Club, Smoke Jazz Club, Ginny's Supper Club and more.
In October of 2017, Itay was honored to be on Johnny O'neal's new record - "In The Moment" Featuring - ROY HARGROVE and GRANT STEWART.
 
By 17 years old, Itay has already toured the world and shared the stage with the finest Jazz musicians in Israel, and international well known musicians.
A graduate of the Thelma Yellin School of Arts, a student of BFA Jazz Studies (The Center for Jazz Studies at the Israel Conservatory of Music, Tel Aviv in collaboration with The New School for Jazz and Contemporary Music, NY), Itay's passionate dedication and skillful sensitivity on the drums has become widely known in Israel and made him a wanted drummer in many Jazz ensembles and stages.
By the age of 15 Itay was honored to receive a few scholarships and awards for his playing (Berklee College of Music, The New School for Jazz and Contemporary Music, NY, Stanford Jazz Workshop, Europafest), and play in international jazz festivals.
Since 2013 Itay has been making his way into the New York Jazz scene, and got to work and perform with many great musicians such as – Johnny O'neal, Roy Hargove, Ravi Coltrane, Tivon Penicott, Tuomo Uusitalo, Mulgrew Miller, Eli Degibri, Doug Weiss, Gadi Lehavi, Cyrille Aimee, Daniel Zamir, Omer Avital, Ofer Ganor, Avishai Cohen, Joel Frahm, David Berkman, Dayna Stephens, Gilad Hekselman, Lew Tabackin, Yotam Silberstein, Peter Slavov, Aaron Goldberg, Donald Harrison, Grant Stewart, J.J wiggins, and more..
"He is an energetic and imaginative musician". "Itay has what it takes to elevate and propel any musical situation". (Ravi Coltrane)
"Itay is an extremely talented musician and drummer, with excellent technical abilities. He has dynamic flexibility when playing and great energy supporting the composition and the band. He has immense capabilities in a wide variety of musical styles" (Amit Golan)

EPISODE 79 - Satish Robertston

Satish Robertson is a multifaceted trumpeter and composer whose soulful sound resonates across a spectrum of musical genres, from jazz and gospel to hip-hop, R&B, funk, and blues. His compositions often showcase a cinematic depth, reflecting his broad artistic vision.
A Jersey City native, Satish’s musical journey began with the piano, but he was ultimately captivated by the trumpet, inspired by the legendary Miles Davis. His talent was honed under the guidance of renowned trumpeters such as Rob Henke, Jeremy Pelt, Dr. Eddie Henderson, and the late Ted Curson, leading him to develop a distinct and bold voice on his instrument.
Throughout his career, Satish has collaborated with an impressive roster of artists, including jazz greats like James Carter, the Spirit of Life Ensemble, Kahlil Kwame Bell, and Deborah Davis. His versatility also extends to the hip-hop realm, where he has worked with artists like Ace Clark and Skyzoo, as well as R&B icon Meli’sa Morgan. Beyond his collaborations, Satish has led numerous dynamic jazz groups of his own.
In 2020, Satish pushed his creative boundaries with the release of 80’s JOINT, a groundbreaking album that blends virtuosic jazz trumpet with the vibrant sounds of 80's pop, rock, funk, and new wave. The album is a testament to his creativity, with Satish not only composing, arranging, and producing the entire record but also performing nearly all of the parts himself.
 

EPISODE 78 - Eric Dupont

Eric Dupont was born and raised in New Hampshire, receiving his first drum set at the age of 12. Beginning to seriously hone his craft in high school, he earned titles as the NHMEA Jazz All-State drummer and recipient of the Woody Herman Jazz Award. His work as his school’s Drumline captain, jazz band drummer, and wind symphonic band percussionist led him to performances as far as New York, Florida, Canada, Germany, and Austria.Eric initially studied European classical percussion with Jeff Fischer at the University of Massachusetts in 2012, while studying drum set privately with Boston legend Fred Buda. In 2013, Eric transferred to the jazz program at William Paterson University on music scholarship – he graduated magna cum laude in 2016 as the Outstanding Musician Award recipient, with a major in Jazz Studies and Music Management. With the school’s close proximity to New York City, Eric has been fortunate enough to study under the tutelage of such drum heavyweights as Billy Hart, Winard Harper, Horacee Arnold and Bill Goodwin.Eric draws inspiration from his drum heroes, which include Max Roach, Jimmy Cobb, Louis Hayes, Philly Joe Jones, and Art Blakey. He has received scholarships and grants from the National Association of Music Merchants (NAMM) and the Music Business Association. Eric was also selected as one of 15 fellows of the 2018 Program for Jazz at Ravinia's Steans Music Institute in Highland Park, IL.

EPISODE 77 - Dr. Shawn Purcell

Dr. Shawn Purcell, originally from Pittsburgh, Pennsylvania, is a jazz guitarist, educator, arranger, and composer in the Washington DC region. Purcell has shared the stage, recorded with, and/or toured with Pat Bianchi, Terell Stafford, Nicholas Payton, Tim Warfield, Sean Jones, Brian Charette, Regina Carter, The Chicago Jazz Ensemble, The Metropolitan Jazz Orchestra, Jim Pugh, Chip McNeill, Eddie Daniels, Chris Potter, Steve Allee, Jason Tiemann, National Symphony Orchestra and many others. He has performed at jazz clubs and festivals nationally and internationally including: Blues Alley, Smalls, The Jazz Kitchen, The Blue Wisp, The Jazz Factory, Club Bonafide, JazzB (Sao Paulo), DC Jazz Fest, JEN, PASIC, IAJE, Savannah Jazz Festival and Indy Jazz Fest.
 
Purcell can be heard on nearly 40 recordings including Chip McNeill’s The Whirl, Steve Fidyk’s Heads Up! and Allied Forces, Alan Baylock Jazz Orchestra’s Prime Time, featuring Doc Severinsen, Darden Purcell’s Easy Living and Where the Blue Begins, The Capitol Bones’ The Beat Goes On, Ben Patterson’s Push the Limits, and Ben Patterson Jazz Orchestra’s Vital Frequencies featuring Chris Potter.  Symmetricity, Purcell’s first recording as a leader, was released in 2019 on Armored Records.  As a leader and sideman, stay tuned for new releases from The String Queens, The Capitol Bones, Mike Tomaro Big Band, The Ben Patterson Group, The Way of the Groove, (Origin Records) and Shawn Purcell 180, Purcell’s 2nd release as a leader and debut release on Origin Records.
 
Purcell has spent over 18 years as a member of the military big bands in Washington DC. From 1996-2004, Purcell was the guitarist in the US Air Force jazz ensemble, The Airmen of Note. During his time with “The Note,” Purcell performed throughout the world including England, Germany, Turkey, Luxembourg, The Azores, Belgium, Oman, Qatar, United Arab Emirates, Italy, Kuwait, and Bahrain. He is currently the guitarist with the Washington DC based US Navy Band “Commodores” jazz ensemble.
 
As an educator, Purcell currently serves as adjunct professor of jazz guitar and jazz arranging at George Mason University. He has served on the jazz faculty at Towson University, Middle Tennessee State University, and was a Visiting Lecturer in Jazz Studies at Indiana University, Bloomington, under the direction of David Baker. He has led master classes at major universities throughout the country. He has served on the faculty for The National Jazz Workshop, Maryland Summer Jazz Camp and The National Guitar Workshop. Purcell has also penned educational articles for Jazz Guitar Life, Premier Guitar and DownBeat Magazine. Purcell earned a BM in Recording Arts & Sciences from Duquesne University, an MA in Music from Middle Tennessee State University and a Doctor of Musical Arts in Jazz Performance from the University of Illinois at Urbana-Champaign.

EPISODE 76 - Colin Stranahan

Born In Denver Colorado, Colin Stranahan has always been surrounded by music. By his teenage years he was already actively working on the local Denver scene, and has recorded multiple records on the Capri Record label. After receiving the prestigious National Foundation Advancement of the Arts Presidential Scholar award in 2005, he studied at the University of the Pacific for one year as a Brubeck Institute Fellow. Shortly thereafter, he attended the prestigious Thelonious Monk Institute of Jazz at Loyola University in New Orleans, Louisiana.Stranahan was also one of the winners of the 2012 Thelonious Monk Drum Competition. Now living in Brooklyn, New York, Colin is among the most sought-after drummers in the world working with such artist as Kurt Rosenwinkel, Jonathan Kreisberg, Dr. Lonnie Smith,Fred Hersch, Terence Blanchard, Dave Kikoski, Kevin Hays, Herbie Hancock, Wayne Shorter and many others. He is part of a collective trio featuring some of the most talented and praised young musicians in New York City. Together, the Stranahan/Zaleski/Rosato trio has recorded and released two successful albums and are releasing a third that was recorded live at Smalls, scheduled to be released in 2015.Colin Stranahan currently holds adjunct teaching positions at Aarhus Royal Academy of Music, and London’s Royal Academy of Music, where he teaches both private lessons, and ensemble teaching.He also teaches at a few summer Jazz programs including The Brubeck Institute Summer Jazz Colony, The Fara Sabina Summer Jazz School and Festival in Fara Sabina, Italy. Colin also gives drum master classes at Oberlin College, New England Conservatory, International Jazz Conference in Thailand, and the Singapore Esplanade Jazz Festival.

EPISODE 75 - Brian Charette

New York City organist/pianist, Brian Charette, has established himself as a leading voice in modern jazz. Charette is a Hammond U.S.A, Hammond Europe, I.K Multimedia, and Casio endorsed, Cellar Live recording artist. Brian is currently #2 on the 2024 Downbeat Critic’s Poll for organ and #6 for keyboards. Brian was also the winner of the 2014 Downbeat Critics’ Poll “Rising Star: Organ” award and 2015 Hot House Magazine's “Fan's Decision Jazz Award for Best Organist”. Charette’s new Cellar Live release, Jackpot, was recorded at Rudy Van Gelder’s hallowed studio featuring Bill Stewart on drums. The album received 4 stars from Downbeat and was on the Jazzweek radio chart for months, peaking at #9 for 6 weeks. Charette is also a prolific composer of large ensemble music, penning and performing compositions with The Jazz Dock Orchestra in Prague and The Modern Art Orchestra in Budapest.     Born in Meriden, Connecticut in 1972, Brian was introduced to music by his mother, Catherine. By the age of 17, he was playing with jazz luminaries such as Lou Donaldson and Houston Person. Since graduating on the Dean's List from UConn in 1994 with a BA in Music, Charette has been performing extensively in Europe and the USA with his home base being the East Village, NYC. Brian is a staple of the downtown NYC scene working with virtually everyone who plays with an organist.Brian has performed with many notable artists such as Joni Mitchell, Chaka Khan, Paul Simon, Cyndi Lauper, Oz Noy, Vinnie Colaiuta, John Patitucci, and many more. Charette is also an active author and educator, writing for Keyboard Magazine, The New York City Jazz Record, DownBeat, Electronic Musician and the Czech magazine, Muzikus. Brian teaches masterclasses all over the world and is on the faculty of the Czech Summer Jazz Workshop at Jesek Conservatory in Prague. In NYC, he teaches lessons and group classes at The New School and 92nd Y School of Music. His first book, 101 Hammond B3 Tips, released through publisher Hal Leonard, has become very popular, as well as his videos on the website, mymusicmasterclass.com. Outside of music, Charette is passionate about White Crane kung fu, in which he holds a black sash.

EPISODE 74 - Ralph Lalama

A solid fixture of the New York jazz scene and respected world-wide, Ralph Lalama embodies the best of the jazz sound ideal – great time, great swing, expressed through great melodic ideas. Everything he says and plays comes out of his deep connection and appreciation for “the Beat.” Jazz critic Zan Stewart put it succinctly: “Lalama is a grand, modern-minded storyteller…a first-class jazz soloist.” He excels in a chord-less trio format with his amazing command of the harmonic progressions articulated through his horn. But on top of being a great jazz soloist, Lalama is equally a solid veteran of jazz ensembles and orchestras. Over his impressive career starting with Woody Herman, Buddy Rich, and the Mel Lewis Orchestra – now the Vanguard Jazz Orchestra – he has honed the craft of sonic blending.Lalama is a three-time Grammy winner through his work in the Joe Lovano Nonet and the Vanguard Jazz Orchestra. He has nine CDs out as a leader and is on more than sixty recordings as a sideman. He has received praise from the likes of critics Gary Giddins, Stanley Crouch, Ben Ratliff, Ira Gitler and Stuart Troup, among others. His latest release as a leader is the 2012 “Bop Juice: Ralph Lalama Trio, Live at Smalls.”Ralph Lalama’s playing reveals an enormous depth of musical heart and knowledge. With his muscular, free-wheeling sound and masterful ability to tell a story through his horn, one understands why he so thoroughly connects with musicians, students and listeners alike.Equipment: Selmer Mark VI Tenor Saxophone; Buffet Crampon Clarinet; Altus Flute.